Friday, December 11

'Max, don't go, I'll eat you up, I love you so.'

I just saw 'Where the Wild Things Are' and it almost killed me.
It's weird when you see something and it makes you remember something you never knew you remembered or feel something you weren't expecting to feel.

It met all my expectations, which were higher than the fort. And I will be seeing it 12 more times at least.

I'm happy that Alexander is still my favourite, that means it was a true representation of the book.

All is love.

Sunday, November 15

Collaboration Project 1

For our collaboration project we're working on a film in which a journey is made through a series of places, accessed via doorways. All of the places and doors link together and tell the story of a character searching for something only he doesn't know what he's searching for, but he finds himself at the end.

To incorporate illustration into the video, I've made two short animations which the character will open doors onto, watch them and close the door again.
I found it quite difficult to decide what to base the animations on, as they were very short, so nothing too in depth could happen in them.

Eventually, I settled on a dinosaur eating a museum tour guide and a chef cooking a meal, which may have ended up as a cheese based soup.



Tuesday, October 20

I can move right through you...

This is my animation for a figure project I've been working on.
The animation is meant to show the word 'invincible' through the movement of the figure.
I chose to use 'Precision Auto' by Superchunk because it is quite an invincible song and makes me want to run fast, so I decided to animate 'invincible' using the way I interpret the song as a base for the animation.



I'm happy with how it turned out, as I've never used After Effects before making this animation and I think it went surprisingly well and I learned a lot during the process of getting acquainted with the program.

Monday, October 19

"LET THE WILD RUMPUS START!"



I cannot articulate how excited I am for the release of 'Where the Wild Things Are.'
I've been putting off blogging about it, but having watched the trailer yet again, it's become too hard to resist.

It's going to be incredible, Spike Jonze directing, one of the prettiest sounding soundtracks ever, Jim Henson Company on puppet duty and Maurice Sendak's overviewing.
I aim to see it at least 4 times, I actually can't wait.

The only other thing I can say about it is that if I was fortunate enough to own a wolf-suit like Max's I would be the happiest person in the world. If I had the crown as well.....I don't know what would happen.

Wednesday, September 23

This is Jeffrey Brown. (Or a little bit of research for Critical Studies.)

Jeffrey Brown writes autobiographical graphic novels, as well as being a writer of comics.
I like the way he draws everything in a very clumsy manner and how most of his work is in black and white.
Although his drawings appear to be simple line drawings and often seem disproportioned and messy, I think they are the best things ever. I like the truthfulness of the art and how the narrative flows easily through each drawing.



This is a segment of one of Jeffrey Brown's autobiographical pieces, the drawing style is visible in all of his work, whether it is a drawing of robots or people, the way they are drawn is always stylistically the same.

Brown's comic strips are different in content, but again, the same style of drawing. They exist mainly around the element of humour. This is the same humour shown in all of Brown's work, a kind of intelligent, observant, sometimes immature but always very honest sense of humour.



Jeffrey Brown is my most favourite illustrator and he is the main influence behind my work and his books inspired me to start drawing my own comics, so it was quite interesting to research who his influences are.

In an interview I read here, Brown stated some of his influences as being Egon Schiele, David Shrigley and Charlotte Salomon.

I looked at some of their work to see how it linked to Brown and found a few connections.

Egon Schiele:
I found that some of Schiele's work can be linked to Jeffrey Brown's style, Schiele distorts the figure and uses a lot of angles which can also be seen in Brown's work, particularly when he draws people nude. In some of his books he has drawn women sitting undressed and they look very similar to this seated naked woman by Schiele.



David Shrigley:
Shrigley is the easiest of Brown's influences to compare his work to, as their styles are very similar. They both work mainly in black and white and their work is usually line drawings. Shrigley has a much looser line than Brown and frequently scribbles out large areas of his work, whereas Brown's illustrations are seemingly well organised and have fewer crossings out in them.



Charlotte Salomon:
Salomon's work holds few similarities to that of Brown's, her work is done with gouache and is usually in full colour and sometimes quite abstract. I found that the main thing I could see in Salomon's paintings that is also visible in Brown's comics is the handwritten text.
Similarly to Brown, Salomon writes on her work and the writing is all freehand and is sometimes clumsy and changes size at random. Her writing often becomes the focal point of the art and is seen on some of Brown's work, in that sometimes a piece of writing will take up more space than the illustration and is much more detailed.
I also think Salomon's work has a very strong written narrative and reads like a story, in the same way as Brown's comic strips.

Tuesday, September 15

MUTO

My friend Matthew directed me to this animation by an artist named Blu, it runs on a wall, which is rather special.
I'm not a huge fan of the images although they are nice, I'm more interested in the way the sky changes throughout the video and how the time over which it was shot can be seen.
I also like the way that people walk in and out of the animation, yet due to the time taken to create each frame, they never appear for longer than a second.
The way the paintings are done is similar to the work of William Kentridge, how he erases the past in his drawings to display motion when they are animated, in the same way, Blu whites over his drawings, forming a grey smudge line following the character throughout the video.

Thursday, August 20

COLABEAR!



Summer Project + Essay = This is highly unlikely to be finished on time.

I'm going to take the year to make it good and then I MAY enter it, but I might just keep it for myself, it's fast becoming less of an entry project and more of an exploration of myself.

Thursday, July 2

RubiksCubism.


This killed me. Twice.